SIMBARI’s “Retablos in Silkscreen” ARE UNIQUE - - -

- - - they are the culmination of his LOVE of everything that he learned over the years in his artistic career -     . . . he loved to work with ‘graphics’ of all kinds - - from etchings and aquatints, lithography,and the challenges of silkscreen . . . this gave him the ability and curiosity to explore ‘painting’ using the silkscreen method !

I have often ‘heard’ how “he retouched each print by hand” ! 

Not true, strictly speaking . . .! 

When he worked with one chosen subject, he would ‘examine’ each plate (equaling each colour) minutely, and then decide when it was ready “to go”. . to print . . . 

He was a most ‘exacting’ Editor . . . of his own work! 

Simbari's Retablo Process ONLY THEN when he decided that the Edition was ready, did he re-examine each page before signing EACH print over a special seal to guard against ‘forgeries’ . . .

( after the Edition had been counted and numbered - - usually by me ! )

on the bottom right-hand corner of the paper . .

. . or

signing the canvas editions with a special indelible-ink pen.

( Nicola Simbari checking the quality and colours of “LILY” at his printing Studio [Bottega del Arte] in Frascati (Italy) . . . )



© Elfrida 2010

Back to the top back

Whats
New !




1950s
Early
Simbari




Simbari
Passes-
Away




Simbari
Virtual
Gallery




Simbari
Resources




Written
 Articles




Frascati
Again ?




Elfrida's
 Website




Biblio
Biography
Graphics



   The
Children.
  Where
Are They?